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The confirmed number of Kyrgyzstan casinos is a fact in question. As data from this nation, out in the very most interior section of Central Asia, often is difficult to acquire, this may not be too surprising. Whether there are 2 or three approved casinos is the element at issue, maybe not really the most consequential slice of information that we don’t have.

What certainly is correct, as it is of the majority of the ex-USSR nations, and absolutely truthful of those located in Asia, is that there certainly is a good many more not approved and bootleg market gambling dens. The switch to legalized gaming didn’t drive all the aforestated places to come from the illegal into the legal. So, the controversy over the total amount of Kyrgyzstan’s gambling dens is a small one at best: how many accredited casinos is the thing we are seeking to reconcile here.

We understand that located in Bishkek, the capital municipality, there is the Casino Las Vegas (a marvelously original name, don’t you think?), which has both table games and slot machines. We can also find both the Casino Bishkek and the Xanadu Casino. The two of these have 26 video slots and 11 table games, split amidst roulette, chemin de fer, and poker. Given the amazing similarity in the square footage and layout of these 2 Kyrgyzstan gambling halls, it may be even more astonishing to determine that both are at the same location. This appears most difficult to believe, so we can likely state that the number of Kyrgyzstan’s gambling halls, at least the approved ones, is limited to 2 members, one of them having altered their title a short while ago.

The state, in common with almost all of the ex-Soviet Union, has experienced something of a fast conversion to capitalism. The Wild East, you could say, to reference the lawless circumstances of the Wild West a century and a half ago.

Kyrgyzstan’s gambling halls are in fact worth going to, therefore, as a bit of social research, to see chips being gambled as a type of civil one-upmanship, the conspicuous consumption that Thorstein Veblen wrote about in nineteeth century u.s..